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The Indian Screen: Myth and Reality

Farrukh Dhondy traces the evolution of Indian storytelling from early days, when stories travelled by word-of-mouth, to now, a...

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Hamari Amita: Critic who called the shots

Khalid Mohamed remembers the super-feisty Amita Malik who was described by Time magazine as “the most prominent film and...

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Women Win Culture Cinema Film Festival

Culture Cinema 2021, a unique film festival that celebrates world cultures through the medium of cinema for international audiences, announced ...

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Oh, the suspense!

Film historian Dhruv Somani, fondly remembers the whodunit, Gumnaam, produced by N.N. Sippy and directed by Raja Nawathe, whic...

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Half a lifetime: Rahul Vohra

It’s a dress-circle view that Vinta Nanda brings,...

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Three Colours: Red - A celluloid poem

Mallika Bhaumik reviews Krztysztof Kieślowski’s Three Colours Red and reads the auteur’s mind while elucidating her own thoughts ...

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Oh, those snakes and ladders

Khalid Mohamed reviews the politics-as-usual drama Madam Chief Minister, is brain-boggled by Qubool Hai 2.0 and finds sol...

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Curtain calls, encores to Doctor Brijeshwar Singh!

Here, in this piece, Aparajita Krishna talks to Dr. Brijeshwar Singh, a renowned orthopedic surgeon who is leading the way for...

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Call of the Valley

A photo-essay by Ashis Ghatak: On the placid side of Kashmir and its infallibly hospitable mountain folk.

And the rest is hysteria

Khalid Mohamed reviews the annoyingly overwrought Kaagaz, the understated Sir and recommends A...

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